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The Context Of Vertical Filmmaking Literature.pdf

The Context of Vertical Filmmaking Literature.pdf
Preview of The Context of Vertical Filmmaking Literature.pdf
🔗 Source: eprints.whiterose.ac.uk
📊 Size: 1.23 MB
📄 Pages: 13 pages
⬇️ Downloads: 84

Summary

Rafe Clayton's article "The Context of Vertical Filmmaking Literature" discusses the historical context of vertical filmmaking, citing a 1930 meeting where Sergei Eisenstein argued against the adoption of a standardized horizontal frame for cinema. Eisenstein suggested a square frame, or "dynamic square," would be more suitable, allowing for both horizontal and vertical compositions. However, the meeting resulted in the adoption of the 4:3 "Academy Ratio," and subsequent developments in cinema focused on widening screen formats, emphasizing horizontalism. Vertical filmmaking continued in artistic contexts, with notable filmmakers like Robert Whitman, Jaroslav Flic, and Brian Eno experimenting with vertical formats. The article highlights David Bordwell's essay "Paulo Gioli's Vertical Cinema" as a catalyst for renewed academic interest in vertical framing, challenging the dominance of horizontal bias in film literature.

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Rafe Clayton's article "The Context of Vertical Filmmaking Literature" discusses the historical context of vertical filmmaking, citing a 1930 meeting where...

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  • File Format: PDF
  • File Size: 1.23 MB
  • Pages: 13
  • Language: EN
  • Total Downloads: 84
  • Last Updated: 7 days ago

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